Songs and Structures: Notes from the Director

It is said that a well-made guitar crafted from quality wood improves in sound quality as it ages. After several decades, the wood has acclimated to its surroundings, and the fibers vibrate to their full potential. 

I like to think of a sanctuary as a huge instrument. Like strings, we singers do the job of producing the initial sound. We then let the building put its own acoustical stamp on it. Most modern facilities are constructed to optimize and gain total control of sound through the use of technology.  

But for pure, unaided, acoustical pleasure, it’s hard to beat the old churches.

This season, we explore some of the oldest houses of worship in Wayne County. Of particular significance is our performance on Saturday, March 28 at 7pm in the old Sonnenberg Mennonite Church, now located at Sonnenberg Village. This particular building carries with it quite a few strong musical memories for many Swiss Mennonites in this area. It has been a goal of mine to make this old structure ring once more with singing, especially with this choir that shares the same first name.

It might be dangerous to put new wine in old wineskins, but I think it’s a great idea to put new music in old buildings.  Hopefully, the only thing that will be bursting will be enthusiasm.

We look forward to singing for you this season. 

Tim Shue

Posted on February 16, 2015 .

Spring 2015 Performance Schedule

Join Sonnenberg Station as they share this season's repertoire at any of the following performances:

Saturday, March 21 at 7pm: Dalton Presbyterian Church, 163 West Main Street, Dalton, OH 44618
Sunday, March 22 at 7pm: Sts. Peter & Paul Catholic Church, 161 W. Clinton Street, Doylestown, OH 44230
Monday, March 23 at 7pm: St. Peter’s United Church of Christ, 68 West Main Street, Apple Creek, OH 44606
Saturday, March 28 at 7pm: Old Sonnenberg Village Church, Sonnenberg Village, 13515 Hackett Road, Apple Creek, Ohio, 44606
Sunday, March 29 at 7pm: First Presbyterian, 621 College Avenue, Wooster, OH 44691

Admission is free of charge; an offering will be taken during intermission. For more information, visit www.sonnenbergstation.org

Posted on February 16, 2015 .

Spring 2015!

Our Spring 2015 season dates have been set and the venues will be posted soon! Stay tuned for a full listing! 

Posted on January 12, 2015 .

Fall 2014 Season

Sonnenberg Station is excited to present you with a new season of music that explores the theme "Body and Soul: Songs about Spiritual Longing and Earthly Life." With performances spanning from Orrville to Bedford, Canton to Dover, and Kent to Kidron, we hope that you will take the opportunity to enjoy an evening of live choral music that's sure to leave you with lasting thoughts and a tune in your heart. We look forward to seeing you! 

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Posted on October 6, 2014 .

Coming soon!

Sonnenberg Station will begin rehearsal for the fall season in just a few weeks! Keep watching here for updates on concert locations, dates, and times. 

Posted on July 21, 2014 .

Composer Pepper Choplin: We Are Not Alone

One of audiences' favorite Sonnenberg Station pieces this season has been "We Are Not Alone" by Pepper Choplin. It's a simple, heartfelt a cappella anthem offering a solid comfort that God is with us always, regardless of our circumstances. 

The article below, written in 1998, is a great profile piece on Choplin, giving insight into the person behind the composition. 

December 4, 1998

The News & Observer

THE MUSIC MAN

By Eleanor Lee Yates; Correspondent 

   RALEIGH -- It's Wednesday night at Greystone Baptist Church. The evening meal is over; choir practices have started. There's lots of Christmas music to work on. In a back room crammed with a piano and metal folding chairs, third-, fourth- and fifth-graders practice their hallelujahs.

  "La la la," intones Pepper Choplin, their minister of music.

  "La la la," repeat the children, in perfect unison.

  "A little stronger now," Choplin says.

  "The girls are singing too high," complains a boy in the back.

  A half-hour later Choplin works with the adult choir. Between sessions he's running from room to room in the church, getting music, checking with church members about times and dates and who's performing what.

  Choplin plans all the music for Greystone's worship services. He also writes much of it.

  Choplin has composed 50 choral anthems sold by a major music publisher to church choirs all over the country. Choplin recently released his first CD, "Psalms of  the Wood," made up of 13 anthems and distributed by GlorySound, a division of Shawnee Press Inc., which publishes Choplin's choral music.

  "The recording started in February, but the company had been planning it for a while," says Choplin, a lanky, fair-haired man who bears a faint resemblance to entertainer John Tesh. A GlorySound producer was scheduled to come to Raleigh but was called to another project. Choplin told the company he thought he could produce the project - then wondered what he'd gotten into.

  "I had never produced anything," he says. The learning curve was a sharp one, like cramming in two years of college. Choplin assembled a number of singer friends, including two members of the Greystone choir and two ministers of music. Musician friends helped out on pennywhistle, guitar, hammer dulcimer and accordion. The musicians recorded instrumental versions of the anthems. Then came 15 hours of recording sessions spread over two days for the vocalists.

  The melodies of Choplin's songs are distinctive. Some have a folksy feel, others an Irish bent. Still others are grand and formal.

  The choirs at Greystone are thrilled with Choplin's success. But because Choplin is so affable and down-to-earth and they've known him since "back when," they feel comfortable putting in their occasional two cents' worth when he tries out new compositions on them.

  "They're pretty bold about their critiques," Choplin says.

  BORN TO PERFORM: Choplin's parents recognized early that their son enjoyed music and did their best to encourage him. He took piano lessons at 4. He was reading music at 5.  A Raleigh native, Choplin was active in New Hope Baptist Church as a youth, participating in several choirs and performing in musicals. At Millbrook High School, Choplin played trumpet in the band but always was eager to learn new instruments, adding banjo, guitar and recorder to his repertoire.

  Choplin's unusual first name is not a moniker - it's real. "My parents were creative, but it caused me some trouble," Choplin says, so growing up, he used his middle name, Dean.

  He majored in music education with a voice principal at the University of North Carolina at Greensboro. He took only a couple of composition classes. During summers, he performed a stage act at Carowinds. He took only a few composing courses.

  Choplin's first job was music minister at Myrtle Grove Baptist Church in Wilmington. During his two-year tenure, he decided to pursue his interest in composing. He enrolled in Southwestern Baptist Seminary in Fort Worth, Texas, to earn his master's degree in composition.  After graduation, Choplin worked as music minister for a church in Orlando, Fla.

  "I didn't write anything for three years. There never seemed to be enough time," he says. He had married his wife, Heather. Daughter Kelcy, now 13, and Erin, now 10, were born. "Then we needed a musical to perform and I just decided to write one. I did it on deadline, kind of like I was on an assembly line," he recalls.

  The 40-minute musical, "The Heavens Are Telling," was a hit with his church and motivated Choplin to make more time for composing. (The musical is being performed this Christmas season at many Triangle-area churches. Among the churches presenting the musical are The First Presbyterian Church of Garner, New Hope Baptist Church in Raleigh and Ephesus Baptist Church in Durham, all Dec. 13.)

  In 1991, a year after Choplin arrived at Greystone, Shawnee Press published an anthem from his musical. Shawnee, in Delaware Water Gap, Pa., has regularly published Choplin's work since. Fred Waring, noted choral conductor and bandleader of the Young Pennsylvanians, established the company in the 1930s.

  Krista Hoell Montgomery, director of advertising at Shawnee, says Choplin is one of most creative and freshest composers to "come along in a long time."

"His music is very spiritual and moving. It leads people to worship," she says. "He has a folk quality. He incorporates instruments that are not traditional."

  Choplin separates his church duties from his composing, doing his writing in his home office which includes a keyboard, a piano and a computer. He hooks the computer to a keyboard to write most of his work.

  "I get the concept down on the piano. But the computer is so versatile. You can write music in one key, hit a button and instantly transpose it," he says.

BUSY DAYS: As minister of music, Choplin's duties include planning the music for worship services, working with the adult choir, an adult ensemble, the youth choir and three children's choirs. He is also an outreach minister, which means visiting the hospitalized and the ill. Greystone Baptist, on Lead Mine Road, has about 650 members.

  The Rev. Gene Watterson, who arrived at Greystone as senior pastor 10 months ago, says he knew of Choplin by reputation long before.  "He has a huge reputation among ministers," Watterson says. He noted Choplin's rare musical talent but also his gift for human relationships.

  "He's a very genuine Christian, in his outlook and his actions. He has great integrity. When he says he'll do something, you can take it to the bank," Watterson says. "I have no idea what the future holds for this young man, but I have visions of his being a major player."

  Brian Perkinson, a Greystone member, joined the choir shortly before Choplin arrived.  "He made us more disciplined," Perkinson says. "We always had fun but were less attentive to all the notes. Now we pay attention to all the notes.  Pepper has improved the quality of music at Greystone. We learned to work harder without losing the fun."

  Perkinson says the choir loves to give feedback on Choplin's works in progress.  "We like to think we're part of 'composition by committee.' We don't hesitate to say the composer was wrong."

  Sometimes choir members are perplexed when they open up their crisp, black-and-white sheet music to practice one of Choplin's songs. It's not the same as the printouts he gave them before the music was printed.

  Choplin, of course, had done some fine-tuning. He uses a variety of music in the services, with just a small percentage being his own. Perkinson notes that Choplin excels at choosing music, which communicates the message of the minister's text, of tying hymns and music to the sermon.

  Six years ago Choplin thought seriously about going into composing full time. He went to Nashville, where much of the Christian-music industry is based, and talked to contacts and acquaintances. But church ministry, he decided, is for him.

  "There's a lot of insecurity in chasing the big time. I'm in a good position now. I didn't see anything worth changing my life over," Choplin says.

For more information: 'Psalms of the Wood' retails for $15.98 and can be purchased in Raleigh at Burrage Music Co. at 4900 Green Road, at Lifeway Bookstore at 3000 Wake Forest Road, and at The Sign of the Fish Christian Bookstore, 1657 N. Market Drive.

Copyright 1998 by The News & Observer Pub. Co.

Posted on April 7, 2014 .

Wanting Memories: An Interview with Ysaye Barnwell

One of Sonnenberg Station's pieces this season is "Wanting Memories," written by Ysaye Barnwell and performed by Sweet Honey in the Rock, an amazing, all-woman, African-American a cappella ensemble. Sue, a Sonnenberg Station fan who attended their concert in Wooster on March 19 as part of the Music on Market series, asked about the song, so I thought it would be appropriate to share this beautiful interview with the songwriter, featuring the song as its soundtrack. Enjoy! ~Denice.

Posted on March 21, 2014 .

Craig Strasbaugh: Within Zion's Walls

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Last Season, I was invited to sing with Sonnenberg Station for the first time. I had heard the group perform before and had been drawn to keep singing. In my first season with the group, we sang "Zion’s Walls." It is a strong, impassioned appeal for the whole family or community to gather to worship God within the walls of the Jerusalem Temple. The men of the choir stand in place of the people's patriarchs. They love to worship God together, and they pass that faith on through the generations.

For me, "Zion's Walls" is a powerful song that leaves your senses buzzing at the end. That description could serve just as well to summarize my experience with Sonnenberg Station.

Sadly, I am missing most of this season’s performances, though I have practiced, and, even now, have my music near me. Yet as I type, I sit within the boundary walls between Jerusalem’s countryside and Bethlehem in Israel.

Today, I walked the streets of the walled, Old City of Jerusalem (Zion). Song bursts forth here in every Quarter, in every language, and from multiple religions. Here is a place people still gather for worship. I can now say that I have sung "Zion’s Walls" within Zion’s walls (and with all of the Sonnenberg Station men in my consciousness). 

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As I prayed and sang within Zion’s walls, I was struck by the fact that my singing and worship here are not an end unto themselves, but are indeed preparing me for prayer and worship and singing elsewhere.

God is now dwelling in hearts of flesh in you and me. And that is the faith that we invite others to participate in when we gather together and sing.

Craig Strasbaugh

Posted on March 21, 2014 and filed under Singer Bios.